大象传媒

By Melanie Hardbattle

When acquiring records from their creator, it is always preferable for the archivist to get as much contextual information as possible to help future researchers understand the records and how they were created. I had the priviledge to interview Rick McGrath about his recent donation of records to the 大象传媒 Archives, described in Part 1 of this post:

MH: How do the records represent your experience as a charter student at 大象传媒?

RM: Well, we wore a lot of buttons! Obviously, we were a fairly argumentative bunch, but in hindsight I think that鈥檚 because there were no traditions at 大象传媒 for students, faculty or staff to affirm or adhere to鈥� it鈥檚 quite exciting when everyone is trying to make it up at the same time! The speed at which 大象传媒 was invented also meant there were more than just cracks in the concrete 鈥� the whole structure was attempting to 鈥渟ettle鈥� into the 大象传媒 way of doing things 鈥� which often meant the opposite of UBC.

MH: How do the records represent 大象传媒 at that time?

RM: If you mean 鈥渢hat time鈥� as the 1960s, then again my contributions from those days reveal some of the power struggles that were going on and the student reaction, which mainly was confused but vociferous. I also think that few people at that time ever thought much about creating a 鈥渉istory鈥� of 大象传媒鈥� which may be why so little still remains 鈥� ephemeral even at the time as people and concerns changed and evolved.

MH: Is there anything in your archives that you feel will surprise students today?

RM: Perhaps the early visuals鈥� those small colour photos of the early campus were taken in August of 1965, probably during my first trip to 大象传媒 to obtain enrolment papers. You can see how 鈥渦nprepared鈥� the place is. The idea of creating four sports 鈥渉ouses鈥� for intramural play might also seems rather odd today. And the fact we were around 2,000 in total would seem odd. I think there were high schools in Vancouver with more students鈥�

MH: Among your records is a copy of the famous 1968 notice re: vacating the Administrative Building -- how did you acquire this? 

RM: Easy鈥� I was in the Admin Building when the cops shoved a few handfuls of the notice through the door. Nearly all The Peak staff were in the building and when the RCMP arrived we had [a] quick meeting and it was decided a photographer (Roy Beaumont) and a columnist (George Reamsbottom 鈥� I think) stayed [sic] behind to report on being arrested. The rest of us went back to The Peak office and started pumping out the next paper. Even at the time I thought this was an interesting document, so I just filed it away.

^{McGrath's copy of the famous Strand notice} 
MH: What are your favorite items in this donation, and why?

RM: I鈥檇 say the stuff from the 60s鈥� some is artistic creative, a lot politically creative. I wish I had saved more, but it鈥檚 hard to think ahead 50 years when you鈥檙e in your early 20s. 鈥湸笙蟠�媒 Komix鈥� I think was drawn by Bob Mercer 鈥� he did a lot of political art, like 鈥淭he Little Man鈥濃�� I guess my favourite is the Strand Notice鈥� probably not a lot of them around and that event was history-making for 大象传媒.

MH: Why should the 大象传媒 community care about the University鈥檚 past? 

RM: I don鈥檛 think they do鈥� it鈥檚 mostly seen as a messy, confused time with fire-breathing radicals converting young, impressionable kids into a rowdy mob鈥� hmmm, sounds familiar! Except we had no social media 鈥� that would have changed things! It might be interesting to have someone research a book comparing what actually happened at 大象传媒 to the versions produced by the Vancouver media of the day鈥� Regardless, 大象传媒鈥檚 past is what it is鈥� one thing the current 大象传媒 community might look at is the energy and dedication exhibited during those early days鈥� not just riots, etc., but the number of student clubs, the symposiums, the general feeling of not only belonging to a unique institution, but helping to set its course.