´óÏó´«Ã½

MENU

Music & Sound

Explore stories, images and archival materials from ´óÏó´«Ã½'s past

  • Browse a selection of images from this remarkable decade of music and sound at ´óÏó´«Ã½.

  • In 1970 or 1971, my habitual patterns of listening were shaken up profoundly when I heard a guest lecture by Schafer at the University of British Columbia (UBC), where I was studying music. It was an AHA moment whose significance was revealed gradually over years to come.

  • The World Soundscape Project (WSP) was established as an educational and research group by R. Murray Schafer at ´óÏó´«Ã½ during the late 1960s and early 1970s. It grew out of Schafer's initial attempt to draw attention to the sonic environment through a course in noise pollution, as well as from his personal distaste for the more raucous aspects of Vancouver's rapidly changing soundscape.

  • Phillip Werren's electronic music is a great example of just how avant-garde ´óÏó´«Ã½ was in the 60s and 70s.

  • Read Brian Antonson's account of how students established ´óÏó´«Ã½'s campus radio station.

  • Look back at a lively week for music and sound on campus in 1974, as "The Peak" reviews a concert featuring flautist Robert Aitken with the Purcell String Quartet, while members of the ´óÏó´«Ã½ Sonic Research studio are featured in a CBC Radio series.

  • Upon arriving at ´óÏó´«Ã½ in 1972, resident artist David Skulski revived interest in early music — or music from the medieval, Renaissance and early Baroque periods — and brought music from the past out of the archives and on to campus.

  • Mary Trainer chronicles the career of artist-in-residence Phyllis Mailing, from touring Russia to creating the ´óÏó´«Ã½ Madrigal Singers for the World Shakespeare Congress.

  • ´óÏó´«Ã½'s quartet-in-residence make it all the way from pub concerts on campus to a New York debut at Carnegie Recital Hall.